(Source) |
As the DJ would spin and (later) scratch, there would be break boys (b-boys) and b-girls dancing. In order to get on the mic and MCEE, praising the DJ was all but a requirement. In a historical sense, DJing, break dance, and graffitti are just as much a part for (traditional) hip-hop as MCEEing. Graffiti artists were often MCEEs, DJs, and b-boys themselves. At the best parties you might have a writer tagging a wall while the DJ scraches, the Emcee revs up the crowd, and the b-boys are battling each other on the dance floor. Talk about entertainment!
(Source) |
In such a spontaneous setting it was important for the MCEE to improvise and entertain. This is why most would agree you're not an MCEE unless you can freestyle. And, due to the historic roots of hip-hop; it can be argued that crowd control is also an important factor of being a good MCEE.
(Source) |
Thanks for reading! Please comment, tweet, and give a Facebook like!
You can find Lyceum Recordz on Facebook, YouTube, and SoundCloud.
Visit my other blogs: EDULUTION, Lyceum Recordz and The Psychosocial Philosopher
No comments:
Post a Comment